An Essay on (some) Influences.

Artistic Influences

You cannot make art in a vacuum. Art is often a journey through time, where the soul finds itself reflected in the works of those who have come before. My influences span centuries and styles, from the fantastical visions of Hieronymus Bosch (c. 1450-1516) to the haunting contemporary photography of Joel-Peter Witkin (born 1939). In between, they include the dark Romanticism of Francisco Goya (1746-1828), the pioneering photographic portraits of Julia Margaret Cameron (1815-1879), the deeply personal and politically charged self-portraits of Frida Kahlo (1907-1954), the hauntingly introspective photography of Francesca Woodman (1958-1981), uncanny portraits of wax figures of Hiroshi Sugimoto (born 1948), the provocative sculptures of Jake and Dinos Chapman (born 1962 and 1966, respectively), and the shadowy, ambiguous worlds captured by Bill Henson (born 1955). Each of these artists, in their way, informs my creative vision, contributing unique elements to the tapestry of my inspiration.

Hieronymus Bosch

Hieronymus Bosch. The Garden of Earthly Delights. 1490/1510.

Hieronymus Bosch's visionary art is filled with fantastical creatures and surreal landscapes that continue to captivate and mystify. His most renowned work, "The Garden of Earthly Delights," is a triptych teeming with allegorical scenes that depict the pleasures and perils of earthly existence. Bosch's use of symbolism and his exploration of the human psyche's darker aspects provide a stark reflection of the human condition. His vivid imagination and complex compositions inspire me to delve into the subconscious and explore the boundaries between reality and fantasy. Bosch's ability to intertwine the sacred with the profane, the mystical with the mundane, has taught me to embrace paradox and complexity in my work, creating layers of meaning that invite viewers to look beyond the surface.

Francisco Goya

Francisco Goya. Los Caprichos. 1797/98. 

Francisco Goya, the "Father of Modern Art," stands at the crossroads of classical and contemporary art. His work captures the tumult of his time, revealing the human soul's darkest depths and brightest hopes. Goya's series "Los Caprichos", "The Disasters of War" and his haunting "Black Paintings" provide an unflinching look at violence, madness, and despair. His masterpiece "The Third of May 1808" portrays the brutality of war with raw emotion and dramatic lighting, setting a new standard for historical painting. Goya's willingness to confront uncomfortable truths, both personal and political, resonates deeply with me. His exploration of human suffering and resilience inspires me to create art that is not just visually compelling but also emotionally charged and thought-provoking. Goya's fearless engagement with social and political issues encourages me to use my art as a tool for commentary and reflection.

Julia Margaret Cameron

Julia Margaret Cameron revolutionised portrait photography in the 19th century, transforming it into a medium for artistic expression. Her images, characterized by their soft focus, dramatic lighting, and emotive poses, convey a sense of intimacy and timelessness. Cameron's portraits of notable figures like Charles Darwin and Alfred Tennyson, as well as her allegorical studies, reveal her deep understanding of her subjects' inner worlds. Her approach to photography was innovative; she often blurred the line between reality and imagination, capturing the essence of her subjects in a way that was both ethereal and grounded. Cameron's work inspires me to see photography not merely as a means of documentation but as a form of visual poetry. Her ability to convey emotion and character through light, shadow, and composition encourages me to explore the human spirit in my work, using the camera as a tool for deeper understanding.

Frida Kahlo

Frida Kahlo. Without Hope. 1945.

Frida Kahlo's art is a vivid exploration of identity, pain, and resilience. Her self-portraits, such as "The Two Fridas" and "Self-Portrait with Thorn Necklace and Hummingbird," reveal a deeply personal narrative shaped by physical suffering and emotional turmoil. Kahlo's paintings are rich with symbolism, from indigenous Mexican motifs to Christian iconography, creating a unique visual language that reflects her complex cultural heritage. Her fearless self-examination and unflinching portrayal of her struggles inspire me to use art as a form of self-expression and self-discovery. Kahlo's ability to transform personal pain into universal themes has profoundly impacted my work, encouraging me to delve into my own experiences and emotions. Her art teaches me that vulnerability and authenticity are powerful tools for connecting with others, allowing me to explore themes of identity, trauma, and healing.

Francesca Woodman

Francesca Woodman. (left) Space², Providence, Rhode Island. 1976, (right) Untitled, from Polka Dots Series, Providence, Rhode Island. 1976

https://www.tate.org.uk/art/artists/francesca-woodman-10512/finding-francesca

Francesca Woodman is known for her hauntingly ethereal black-and-white photographs, often featuring herself as the subject in surreal, dreamlike settings. Her work, characterized by blurred motion and fragmented bodies, conveys a sense of ambiguity and introspection. Woodman’s use of abandoned spaces and decaying interiors as backdrops reflects themes of absence, longing, and transformation. Her exploration of the female body, identity, and the passage of time resonates with my own interest in the transient and the unseen. Woodman’s ability to create a narrative through subtle gestures and a minimalist aesthetic inspires me to find meaning in the ephemeral, to explore themes of existence, memory, and mortality in my own work.

Hiroshi Sugimoto

Hiroshi Sugimoto. Portraits. 1999.

Hiroshi Sugimoto is known for his contemplative black-and-white photographs that explore time, memory, and existence. His "Seascapes" series captures the horizon where the ocean meets the sky, evoking a sense of infinite calm and stillness. In contrast, his "Portraits" series, featuring waxworks of historical figures, blurs the line between reality and illusion, questioning our perceptions of life and death. Sugimoto's minimalist aesthetic and technical precision inspire me to embrace simplicity and restraint in my own work. His photographs are not just images but meditations on the passage of time, inviting viewers to pause and reflect. Sugimoto’s ability to convey profound concepts through seemingly simple compositions encourages me to explore the depth and nuance of my subjects, finding beauty in the minimal and the mundane. His work teaches me that art can be a form of contemplation, a way of seeing the world with fresh eyes.

Jake and Dinos Chapman

Jake and Dinos Chapman, In Our Dreams We Have Seen Another World. 2014. https://www.wired.com/2014/01/chapman-hellscapes/ 

Jake and Dinos Chapman are contemporary British artists whose provocative works challenge societal norms and expectations. Their reinterpretations of Francisco Goya's "The Disasters of War" series and their grotesque sculptures confront viewers with themes of violence, consumerism, and human depravity. The Chapmans use shock and irony as tools to critique the absurdities of contemporary culture, creating art that is both confrontational and thought-provoking. Their willingness to tackle controversial subjects and push the boundaries of acceptability inspires me to be bold and fearless in my own work. The Chapmans' art encourages me to explore the darker aspects of human nature, using humor and satire to challenge perceptions and provoke dialogue. Their influence reminds me that art can be a form of resistance, a way to question and critique the world around us.

Bill Henson

Bill Henson is an Australian photographer known for his moody, atmospheric images that explore themes of adolescence, transition, and the interplay of light and shadow. His work often features young subjects captured in moments of introspection or ambiguity, set against dark, indistinct backgrounds. Henson’s use of chiaroscuro, the dramatic contrast between light and dark, creates a sense of mystery and depth, evoking an emotional response from the viewer. His photographs are not merely images but invitations to enter a world of shadows and secrets, where meaning is found in what is not immediately visible. Henson's ability to capture the ephemeral nature of youth and the complexities of human experience inspires me to explore the nuances of my subjects, finding beauty in the fragile and the fleeting. His work encourages me to embrace ambiguity and to see photography as a means of exploring the unknown.

Joel-Peter Witkin

Joel Peter-Witkin,The Raft of George W. Bush, NM, 2006. https://museemagazine.com/features/2017/11/17/the-archives-joel-peter-witkin

Joel-Peter Witkin's photography is an exploration of the grotesque, the macabre, and the surreal. His images, often featuring disfigured models, corpses, and other taboo subjects, challenge conventional notions of beauty and morality. Witkin draws inspiration from classical art, reinterpreting themes from history and mythology with a modern, provocative twist. His images, such as "Sanitarium" or "The Raft of George W. Bush," are simultaneously repulsive and compelling, forcing viewers to confront their preconceptions about human body, death, and the sacred. Witkin's meticulous attention to detail and composition, combined with his fascination with the abject, inspires me to push the boundaries of what is considered acceptable in art. His photography encourages me to explore the darker side of human experience, finding a strange beauty in the unconventional and the unsettling. Witkin's work teaches me the value of daring to confront the uncomfortable, using art as a means to explore the complexities of existence.

Conclusion

Art, to me, is a bridge between the visible and the invisible, the conscious and the subconscious. The artists who influence me are as diverse as they are profound, each offering a unique perspective on the human condition. From Bosch's intricate visions of heaven and hell to Witkin's provocative explorations of the grotesque, each has shaped my understanding of what it means to create art that is both personal and universal. Their works remind me that art is not just about what we see but also about what we feel, fear, and dream.

Through their guidance, I have learned to embrace complexity and contradiction, to find beauty in the unexpected, and to use my art as a tool for introspection and commentary. These artists have taught me that creativity knows no boundaries, and that the most powerful art often emerges from the willingness to explore the unknown. As I continue my own artistic journey, I carry their lessons with me, finding inspiration in their courage, vision, and relentless pursuit of truth.

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Treatise on Death and other Niceties.